MURDER BY THE GLASS coming soon!

I’m thrilled to announce that MURDER BY THE GLASS launches on July 13, 2021 with Untreed Reads Publishing

Each story in this stellar anthology blends a baffling mystery, a glass … and a MURDER!

In my story, “How Do You Mend a Broken Heart?,” a pricey fundraiser brings together Richmond, Virginia’s elite. Enter two glamorous sisters, Kate and Becca, who are grieving the loss of their parents. What better way to mend their broken hearts than a hunt for rich husbands? It doesn’t take long for Becca to choose the attractive, sexy—and rich!—Jeremy Redman as perfect husband material. She employs every one of the many feminine wiles in her arsenal to stake her claim on his heart.

Many talented authors contributed stories:

“Revenge on the Rocks” by Betsy Ashton

“Malbec Gold” by Frances Aylor

“The Good Citizen” by Mary Dutta

“The Nightcap” by Diane Fanning

“Bucket List Dreams” by Debra Goldstein

“Chimera” by Libby Hall

“Fly Away Gourmet” by Maria Hudgins

“Murder on Tap” by Teresa Inge

“Brayking Glass” by Eleanor Cawood Jones

“How Do You Mend a Broken Heart?” by Maggie King

“Swiping Right” by Kristin Kisska

“Grape Minds Drink Alike” by Allie Marie

“Everus” by K.L. Murphy

“A Taste of Murder” by Alan Orloff

“Zero Hour” by Josh Pachter

“From Whiskey to Wine” by Shawn Reilly Simmons

“Out of Commission” by Heather Weidner

Don’t you just love those titles?

I’ve worked with most of these authors on previous anthologies–VIRGINIA IS FOR MYSTERIES, VIRGINIA IS FOR MYSTERIES, VOL. II, 50 SHADES OF CABERNET, and DEADLY SOUTHERN CHARMand look forward to seeing them again at signings and promotional events. Granted, the events will be virtual for quite a while, but our enthusiasm will fill cyberspace to overflowing!

Connect with MURDER BY THE GLASS on social media and get updates on our doings (like the cover reveal, pre-orders, launch events, etc.)

Facebook: facebook.com/MBTGAnthology

Instagram: instagram.com/murderbytheglass

We look forward to seeing our reading friends!

DEADLY SOUTHERN CHARM: An Author Q&A

Sometimes southern charm is … DEADLY.

I’m thrilled to announce the release of DEADLY SOUTHERN CHARM: A LETHAL LADIES MYSTERY ANTHOLOGY. This outstanding collection features original mysteries set in southern locales with female sleuths.

The authors are members of Sisters in Crime Central Virginia. Today several of them agreed to be interviewed here.

The following is a complete list of the  authors who contributed stories:

Frances Aylor, CFA combines her investing experience and love of travel in her financial thrillers. MONEY GRAB is the first in the series. www.francesaylor.com

Mollie Cox Bryan is the author of cookbooks, articles, essays, poetry, and fiction. An Agatha Award nominee, she lives in Central Virginia. www.molliecoxbryan.com

Lynn Cahoon is the NYT and USA Today author of the best-selling Tourist Trap, Cat Latimer and Farm-to-Fork mystery series. www.lynncahoon.com

J.A. Chalkley is a native Virginian. She is a writer, retired public safety communications officer, and a member of Sisters in Crime.

Stacie Giles, after a career as a political scientist, linguist, and CIA analyst, is now writing historical cozies with a twist. Her first short story is in honor of her grandfather who was a policeman in Memphis in the 1920s.

Barb Goffman has won the Agatha, Macavity, and Silver Falchion awards for her short stories, and is a twenty-three-time finalist for US crime-writing awards.www.Barbgoffman.com

Libby Hall is a communication analyst with a consulting firm in Richmond, Virginia. She is also a blogger, freelance writer, wife, and mother of two.  

Bradley Harper is a retired Army pathologist. Library Journal named his debut novel, A KNIFE IN THE FOG, Debut of the Month for October 2018, and is a finalist for the 2019 Edgar Award for Best First Novel by an American author. www.bharperauthor.com

Sherry Harris is the Agatha Award-nominated author of the Sarah Winston Garage Sale mystery series and is the president of Sisters in Crime.www.sherryharrisauthor.com 

Maggie King penned the Hazel Rose Book Group mysteries. Her short stories appear in the VIRGINIA IS FOR MYSTERIES and 50 SHADES OF CABERNET anthologies. “Keep Your Friends Close” appears in DEADLY SOUTHERN CHARM.  www.maggieking.com

Kristin Kisska is a member of International Thriller Writers and Sisters in Crime, and programs chair of the Sisters in Crime Central Virginia chapter. www.kristinkisska.com

Samantha McGraw has a love of mysteries and afternoon tea. She lives in Richmond with her husband and blogs at Tea Cottage Mysteries.www.samanthamcgraw.com 

K.L. Murphy is a freelance writer and author of the Detective Cancini Mysteries. She lives in Richmond, Virginia, with her husband, four children, and two dogs.www.Kellielarsenmurphy.com 

Genilee Swope Parente has written the The Fate Series (a romantic mystery series) with her mother, F. Sharon Swope. The two also have several collections of short stories. www.swopeparente.com

Deb Rolfe primarily writes mystery novels. This is her first published short story. She and her husband enjoy life in the Shenandoah Valley of Virginia. 

Ronald Sterling is the author of six books and draws upon his colorful and varied life experience as a U.S. Airman, saloonkeeper, private detective, realtor, and New Jersey mayor.

S.E. Warwick earned a bachelor’s degree in American Studies in the last century. Ever since, she has been trying to decipher the American enigma.

Heather Weidner is the author of the Delanie Fitzgerald Mysteries. She has short stories in the VIRGINIA IS FOR MYSTERIES series, 50 SHADES OF CABERNET and TO FETCH A THIEF. She lives in Central Virginia with her husband and Jack Russell terriers. www.heatherweidner.com

Editors 

Mary Burton is a New York Times, USA Today and Kindle best-selling author. She is currently working on her latest suspense novel. www.maryburton.com

Mary Miley is a historian and writer with 14 nonfiction books and 5 mystery novels to her credit. www.marymileytheobald.com

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Here’s my interview with DEADLY SOUTHERN CHARM authors:

Maggie: How did you pick your setting and what is unique about it?

Mollie: “Mourning Glory” is set in the fictional Victoria Town, Virginia. It’s a historical town that has taken advantage of their history and built a little tourist haven for Victoriana fans. My main character Viv comes to town to help her aunt with her B&B, but also takes a part-time job in “Mourning Arts,” a store full of mourning gear, like mourning jewelry and black crepe. 

Heather: My story, “Art Attack” is set in an art gallery in downtown Richmond, Virginia. In a former life, the building was an old warehouse. I am a Virginia native, and my stories and novels are set in the Commonwealth.

Lynn: “Cayce’s Treasures” is set in the French Quarter of New Orleans. The first time I visited the area I felt a pull to the shops, the people.

Genilee: “Who Killed Billy Joe” is set in New Iberia, Louisiana. I lived in nearby Lafayette for three years and have always been fascinated by the Cajun and Creole cultures. I picked New Iberia because I wanted a small town setting close to a larger metropolitan area (New Orleans). I am a small town gal myself and love the life.

Frances: “The Girl in the Airport” is set in the Atlanta airport. Robbie, my main character, is heading to England for the summer to escape a broken college romance. I’ve been in this airport many times. It’s fun to watch all the other passengers and imagine what secrets they are hiding. 

Kristin: “Unbridled” is set in an equestrian center in Low Country, South Carolina. I grew up taking horseback riding lessons (English saddle) and competing in shows. Though I never owned my own horse (never say never), I’ve always wanted to write a story set in a stable.

J.A.: “Keepsakes” is set in Dinwiddie County, Virginia and revolves around a forty-year-old murder that occurred on the banks of Lake Chesdin. I grew up in the area and find that such places hold many untold stories and unsolved mysteries.

Maggie: Can you share something about your main character that readers wouldn’t know?

Mollie: Viv is in her 20s and trying to find her way as a game designer. Victoria Town is just a stopover for her. She plans to move on to bigger things, like designing her own computer games. But she’s very close to her aging aunt who owns the B&B and loves helping her out.

Heather: My character, Jillian Holmes, is an assistant at an art gallery in downtown Richmond, and she aspires one day to manage a gallery of her own. But right now, she’s at the beck and call of the current gallery manager, the narcissistic Harvey Owens.

Lynn: Cayce is part of a grifter family who has ruled New Orleans’ fortune telling profession for years. She’s broken out of the family business and got a degree in design and art – mostly antiques. When she receives her inheritance, she moves home to buy an antique dealership on Royal Street. The story (and future series) is a spinoff of my Tourist Trap series. Cayce’s brother is Esmeralda’s (from Tourist Trap) first love.

Genilee: Chief of Police Clareese Guidry is not your typical police officer. She has returned to her small town after cutting her teeth on the New Orleans police force and fought her way to the top of the ladder. She’s tiny but formidable and well-respected among her colleagues. I loved her so much, I’ve made her a part of an upcoming mystery series.

Frances: “The Girl in the Airport” is a prequel to my financial thriller Money Grab. In the story, Robbie is a college student struggling with an unfaithful boyfriend who is dating her roommate. These same three characters reappear as adults in Money Grab, where Robbie is a wife, mother and successful financial advisor.

Kristin: Courtney lives, works, and breathes to keep her horse, Baymont Blues, in oats. Even though her bestie Gina is training with her to compete in the upcoming spring riding show season, Courtney has no intention of losing.

J.A.: Lynn wants to make it big. She wants to see justice for the victim, but she’s also hoping that solving the mystery will open the door to big opportunities.

Maggie: Tell us your favorite authors and/or influences.

Mollie: Toni Morrison is my all-time favorite. But I also love Louise Penny and J.D. Robb. As far as influences, I think Sue Monk Kidd was a huge influence—The Secret Life of Bees was a book that shaped me as a writer. After reading that book, I knew I wanted to write books about the power of women, friendship, family, and community. Mine just happen to involve murder.

Heather: My favorite authors are Agatha Christie, F. Scott Fitzgerald, Ernest Hemingway, Lee Child, Steve Berry, and John Grisham. I have always loved mysteries since Scooby Doo and Nancy Drew. I enjoy history and biography too, but I always return to mysteries and thrillers.

Lynn: I loved Scooby and the gang! I started reading series mysteries when I was in sixth grade and found a lovely place to hide out in the library. Maggie Sefton was my first taste of cozies. And I love a good paranormal twist especially if the magic is just part of the world. Favorite authors include Stephen King (especially when he does fantasy and other worlds), Robyn Carr for her Thunder Point series, Richard Bach for Illusions. Deborah Harkness for her All Souls world. Currently I’m obsessed with Louise Penny and Neil Gaiman (American Gods was amazing.) And I’m reading The Magicians after falling in love with the TV show.

Genilee: Although I usually say Mary Higgins Clark because she has an uncanny ability to throw readers off base and then reel them back in, I don’t like all of her books. I always enjoy reading the J.D. Robb series (Nora Roberts) because I love the strong female character and I think Nora Roberts writes very well. But again, I don’t like all of her books because I don’t like straight romance. I like anyone who writes well and doesn’t stumble on his or her own language.

One of my biggest pleasures is just finding someone new to read in the mystery genre, which is why being part of this anthology is so rewarding.

Frances: Daphne du Maurier’s Rebecca was one of my favorite books in high school. I loved the tension of a woman struggling to establish herself in her marriage while constantly being undercut by everyone’s memories of her husband’s dead wife. Tana French writes psychological thrillers with evocative descriptions that pull the reader into the story. I’ve read her first book, In the Woods, three times.

Kristin: The book that inspired me to start writing was Dan Brown’s The Lost Symbol, which was set in Washington D.C. Since I grew up near there, I could picture every scene he described. I decided to try writing a story set at my alma mater. From there, authors Mary Kubica and, of course, Agatha Christie have been major influences in my story.

J.A.: I love the dialogue in Elmore Leonard’s books. He does an amazing job of making characters sound real. He is an expert at dialect, and a good example of less is more. Charlaine Harris is great at delivering backstory with just a line or two. Agatha Christie was the first mystery writer I remind reading; Then There Where None is still one of my favorite books. I’m also a big fan of Rod Serling and Alfred Hitchcock.

Social Media Links 

Facebook: Lethal Ladies Write

Twitter: Lethal Ladies Write 

Website: Sisters in Crime Central Virginia Anthologies 

DEADLY SOUTHERN CHARM Buy Links

Wildside Press Paperback

Wildside Press eBook

Amazon  

Praise for DEADLY SOUTHERN CHARM

DEADLY SOUTHERN CHARM is a keep-you-up-at-night collection loaded with well-crafted characters and perfect plotting by some of today’s best mystery writers. Brava!
USA Today and NYT Best-selling author, Ellery Adams 

Deliciously devious and absolutely delightful, these marvelous stories will keep you captivated! Sweeter than sweet tea on the surface, but with smartly sinister secrets only a true southern writer can provide. What a joy to read!
Hank Phillippi Ryan best-selling Agatha and Mary Higgins Clark Awards winner

This collection of short crime fiction charms even as the stories immerse you in murder, revenge, and deadly deeds. Set all over the south, from Virginia to North and South Carolina, in Atlanta, Memphis, and New Orleans, the stories by eighteen authors engage and entertain with rich imagery and dialog from the region – and nefarious plots, too. Pour a glass of sweet tea and settle in on the porch swing for a fabulous read.
Edith Maxwell, Agatha and Macavity Awards nominee

This can’t-put-it-down collection of mystery short stories is flavored with the oft-eerie ambiance of the South, where the most genteel manners may hide a dark and murderous intent. Enjoy DEADLY SOUTHERN CHARM with a Mint Julep in hand – a strong one.
Ellen Byron, USA Today best-selling author, Agatha and Daphne Awards nominee and Lefty winner

 

 

 

 

Through a Broken Window

by Paul D. Marks

“It is through that broken window that we see the world…” – Alice Walker

Someone asked me why I had written my novels the Shamus Award-winning White Heat and the new sequel to it Broken Windows. White Heat deals with Private Detective Duke Rogers, who finds himself in a racially combustible situation in South Central Los Angeles—on the day the “Rodney King” riots break out. It also deals with race and racism in the context of a mystery-thriller. And Broken Windows (set two years later in 1994 L.A. during the time of California’s notorious anti-illegal alien Proposition 187) does the same for the immigration issue.—That person wanted to know: Did I have experience: was I a cop or a protester?

Alice Walker said, “It is through that broken window that we see the world…” And Broken Windows holds up a prism from which we can view the events burning up today’s headlines through the lens of the recent past. It all comes down to the saying we know so well, “the more things change, the more they stay the same”.

While the storm rages over California’s infamous anti-illegal alien Proposition 187, a young woman climbs to the top of the famous Hollywood sign—and jumps to her death. An undocumented day laborer is murdered. And a disbarred and desperate lawyer in Venice Beach places an ad in a local paper that says: “Will Do Anything For Money.”—Private Investigator Duke Rogers, and his very unPC partner, Jack, must figure out what ties together these seemingly unrelated incidents. Their mission catapults them through a labyrinth of murder, intrigue and corruption of church, state and business that hovers around the immigration debate. Along the way we explore the fiery immigration controversy from all sides and no one escapes unscathed.

So, to get back to the question: No, I wasn’t a cop or a protester. But I did live in LA at the time of both the King riots and Proposition 187, and I remember the turmoil, the rallies, the rage on both sides. And I wanted to write about those situations, but not in a didactic way. So my way is to have a thriller story set amongst those backgrounds. For example, while I think the story in Broken Windows steamrolls along like a good thriller, one of the things I find especially interesting about it is how in the context of the Prop 187 debate and era we can get some perspective on the unrest happening today over the immigration issue. By seeing what was happening then, and how the characters deal with the situation, we might gain just a bit of insight into current events.

Also, a long time ago, not too long after the Watts Riots, some friends and I were invited down to Watts by a guy who lived there. He had seen where and how we lived and he wanted us to see where he lived—the “other side of the tracks,” so to speak. We were nervous going there, but it turned out to be one of the highlights of my life. Five or six white kids (teens) sitting in Will Rogers Park (now renamed) in the middle of Watts. Yes, we were an anomaly. But people came over and talked to us. They were curious about us and we were curious about them. But there was no animosity. No tension. It was just people with different backgrounds trying to get to know each other. And that day in particular and for some years after that, I always thought things were getting better along the “differences” lines, even though it might have been a two-steps-forward—one-step-back type of progress. And then a few years ago everything seemed to start sliding downhill again. Getting worse, as if we were largely only going backwards. (Find more of our Watts excursion story here: https://www.sleuthsayers.org/2015/08/the-watts-riots-rodney-king-and-me.html)

Then there was the time I was living in San Diego and took the train up to L.A. It stopped in the middle of nowhere, as I recall. Not at a station. The Border Patrol got on board, handcuffed and took off at least half the passengers. We assumed it was because they had come across the border illegally. It was an aha moment. But maybe there’s something to be learned from it. Maybe the past should give some perspective on today. The same with the King Riots and the Prop 187 contentiousness. Because if we don’t learn from these things, if we don’t learn from the past, twenty years from now our kids will be asking the same questions we are, facing the same situations we are and wondering why nobody did anything about it.

Thank you for hosting me, Maggie. I’ve enjoyed being here.

 

Paul D. Marks is the author of the Shamus Award-winning mystery-thriller White Heat, which Publishers Weekly calls a “taut crime yarn,” and its sequel Broken Windows (dropping 9/10/18). Publisher’s Weekly says: “Fans of downbeat PI fiction will be satisfied…with Shamus Award winner Marks’s solid sequel to… White Heat.” Though thrillers and set in the 1990s, both novels deal with issues that are hot and relevant today: racism and immigration, respectively. Marks says “Broken Windows holds up a prism from which we can view the events burning up today’s headlines, like the passionate immigration debate, through the lens of the recent past. It all comes down to the saying we know so well, ‘the more things change, the more they stay the same’.” His short stories appear in Ellery Queen and Alfred Hitchcock Mystery Magazines, among others, and have won or been nominated for many awards, including the Anthony, Derringer and Macavity. His story Windward, has been selected for the Best American Mystery Stories of 2018, edited by Louise Penny & Otto Penzler, and has also been nominated for both a 2018 Shamus Award and Macavity Award for Best Short Story. Ghosts of Bunker Hill was voted #1 in the 2016 Ellery Queen Readers Poll. He is co-editor of the multi-award nominated anthology Coast to Coast: Private Eyes from Sea to Shining Sea.

Missing Mystery Authors: Update #6

The “Missing Mystery Authors” series is back! Thank you readers, for wanting to know what happened to your favorite mystery authors who, for whatever reason, haven’t published in a while.

Some authors are easy to find, while others are not. Fortunately, many still maintain websites and are active on social media so I can contact them. Often life circumstances put her or his writing on hold. Some are making a comeback with a new series. Sadly, some have left us for the great beyond. Others have seemingly vanished.

It’s always a treat when one of these “missing” folks gets in touch and we strike up an online friendship. Bonus is discovering yet another wonderful author who keeps my TBR list alive and well.

Read on!

Dicey Deere wrote the Torrey Tunet mysteries, set in Ballynagh, Ireland. Titles include The Irish Cottage Murder, The Irish Manor House Murder, The Irish Cairn Murder, and The Irish Village Murder.

Dicey Deere was the nom de plume for Harriet La Barre, a former Cosmopolitan editor. Under her real name, she wrote the following mysteries: Stranger in Vienna, The Florentine Win, and Blackwood‘s Daughter.

Ms. LaBarre passed away in 2015 at the age of 99. Read her obit here.

Earl Emerson, author of the Thomas Black series, featuring a Seattle-based PI. Back in March, I asked for information on this author. A reader informed me that he published a Thomas Black title in November of 2017. Somehow I missed that.

Cate Price wrote the Deadly Notions series, featuring Daisy Buchanan. When one of my loyal blog readers wrote: “I just read her third ‘notions’ book and checked to see if there were any more. Couldn’t find anything after 2015,” I emailed the author. Here is her response:

Hi Maggie!

Thanks for getting in touch, and I’m so pleased that readers are still asking about me 🙂

I had a contract with Berkley Prime Crime for a series of three books, as a writer-for-hire, which means that I don’t own the rights to the series, the characters, or even the pen name “Cate Price”. The series was well-received, but Berkley did not offer for more books, because at the time they were radically downsizing their cozy mystery line. So, as much as I had many ideas for more stories, and loved writing the “Deadly Notions” series, my hands are tied and I can’t self publish.

Readers have also asked what I’m working on now, but part of the contract was that I could never identify myself (my real name) to “Cate Price”. So I’m afraid that will have to remain a mystery!

Please thank your readers for their interest. It really cheers me up to think that people are still enjoying the books.

Best Regards,

Cate

It sounds like she’s between the proverbial rock and a hard place.

Corinne Holt Sawyer In my last Missing Authors Update, I mentioned Corinne Holt Sawyer, author of the Angela Benbow and Caledonia Wingate series. Angela and Caledonia are “women of a certain age” who live in a retirement community in Southern California and bring killers to justice on a regular basis.

Soon after that post, I began a correspondence with the author. She lives in Southern California and enjoys the same lifestyle she gives her fictional sleuths. She keeps abreast of technology, but, in her words, “I’m not up to blogging.”

When I asked Corinne about her plans for continuing her series, this is what she told me:

After Donald Fine, my publisher, died, my agent had a battle with Penguin (which took over Donald Fine’s lists)…. because Penguin only wanted to do the book in paperback, but our contract with Fine specified hardcover edition first, paperback no closer than 10 months later (or words to that effect).

Agent and Penguin argued back and forth for a year before Penguin gave up and said they would just give us back our manuscript.   After that, agent couldn’t sell the 9th in the series to another publisher. And that was the end of it.

My agent is now too, alas, deceased. I could probably self-publish the 9th in the series, if I were into that. But at age 94 I don’t want to cope with any of the rigors of self publishing.   

I found the following about Corinne Holt Sawyer on Fantastic Fiction:

Very impressive! But is it totally accurate? Not according to Corinne:

Thanks for the link.   I had never seen that writeup and so went right to it…. and yikes!                 

Though my name is spelled right in the headline, it’s misspelled throughout the column. Yes, I took my PhD from Birmingham, but it wasn’t “in the south” it was in England, where they’d moved their entire graduate division of their English Department 35 miles “off campus” to Stratford-on-Avon, where we lived and worked as a community of renaissance scholars (so to speak.). I’ve only  been in Birmingham, Alabama, once in my life…. and not to go to college there!        

I was never station manager of WNCT…  I was what they call “talent” with my own house-and-home program, and a magazine-of-the-air……  etc., etc.   For one year I was their continuity writer as well….. Boooooring job, I fear.

Where on earth do you suppose they got all that misinformation?   And why misspell my name throughout? How very strange…….

I immediately checked my own entry in Fantastic Fiction. It’s accurate but needs updating.

In The Peanut Butter Murders, Corinne’s sleuth Caledonia says “peanut butter” in lieu of swearing (talk about being creative!). When I told Corinne I enjoyed the story, she shared this little known tale:

Oh, here’s a P.S. about “Peanut Butter Murders” — and it makes self publishing look much better, since it wouldn’t have happened if I’d been self-publishing:

I intended that the book start with the little rhyme:

For obvious reasons — the framework story about the girl finding the body beside the railway tracks.

Some editor from Penguin, (she wasn’t MY editor, mind you) told Donald Fine (my publisher) that rhyme shouldn’t be included… it was too gruesome for my readers, who were obviously elderly and easily shocked.  (Oh, puh-leeze!  We used to sing that as we played hop-scotch when we were little kids!)  But,” she said, “I love the title, so keep the title and find another reason for using it.”  So I had to invent the “swear words” for Caledonia, who never used them in any book before or since…..   See?  It’s not so bad not to have a professional editor. They make a lot of mistakes, and they sometimes drive you crazy.

I’ve so enjoyed my correspondence with this delightful author, and loved her behind-the-scenes tidbits. Bonus: she likes my books!

Here’s Corinne Holt Sawyer’s bibliography on Stop! You’re Killing Me. Wouldn’t it be cool if she published #9?

In Memoriam

My friend Rosie researched her own Missing Authors and sent me the following:

Willam G. Tapply and Philip R. Craig William G. Tapply, who died in 2009, wrote some great mysteries about Stoney Calhoun, a Maine fishing guide. He also wrote mysteries featuring attorney Brady Coyne.

I liked a mystery series he co-wrote with Philip R. Craig. These “Brady Coyne and J.W. Jackson” mysteries used Martha’s Vineyard as the setting. Brady Coyne was still a Boston attorney, but his buddy J.W. Jackson (ex-cop) lived on Martha’s Vineyard, and that’s where the mysteries happen! Craig died in 2007 and has three posthumous mysteries released. Craig wrote many J.W. Jackson mysteries that were not collaborations. Those featured his J.W. Jackson character, so when Craig and Tapply cowrote, those mysteries were fun because the reader saw two separate familiar characters. Each author wrote other books/series, too.

Dorothy Gilman died in 2012. I loved her Mrs. Pollifax series. Of course she wrote other books, too. I’m looking at the summary of the Clairvoyant Countess now. See her bibliography on Stop! You’re Killing Me.

Elizabeth Peters’ (Barbara Mertz) Amelia Peabody series really got me hooked. She died in 2013. Her final book The Painted Queen was finished by her friend Joan Hess and released in 2017, and then Joan Hess died in November of 2017. Stop! You’re Killing Me lists the extensive bibliographies of both Elizabeth Peters  and Joan Hess.

◊ ◊ ◊

Posts from my “Missing Authors” series, in chronological order:

Missing Rochelle Krich

Discovering a Lost Author: John J. Lamb

Whatever Happened to Gabrielle Kraft?

Whatever Happened to (Name an Author)?

In Memory of My Favorite Mystery Authors (And Maybe Yours)

Those Missing Authors: An Update

Missing Author Found!

Missing Authors: Update 2

“Missing Authors: Update 3”

“Missing Authors: Update 4”

“Missing Authors: Update 5”

Do you have a favorite mystery author who hasn’t written in some time and isn’t included in one of the above posts? Yes? Include the name(s) in the comments section and I’ll see what I can find out. It may take me some time but I will get back to you, either personally or in an upcoming blog post.

 

The Unanticipated Joys of Research

By Ellen Byerrum

What if clothes were haunted like houses or locations?

Could a dress be toxic enough to kill?

How would someone dispatch a villain in a dying velvet factory?

These may not be the nicest of questions, but they are among ones I’ve asked myself when writing my Crime of Fashion Mysteries. I wrapped these ideas into the plots of three of the books, but not without looking further into these queries and their answers. While imagination plays the largest part in crafting a story, I also like to get it right, or at least have a realistic place to jump to the realm of make-believe.

That’s where research comes in. It can be one of the most enjoyable parts of writing. The hands-on research, that is, the kind that lifts you out of your chair and away from your desk.

Sure, there are a lot of facts at your fingertips via the Internet and Google. And like everyone else, I use my computer for finding information and checking details. However, the web is no substitute for leaving your comfort zone and meeting people, asking questions, or just walking around in the location about which you want to write. In the shoes of your characters, so to speak. However, in my case, it might also be in their dresses.

Where did my question about haunted clothing come from?

I once had the strangest experience of putting on one of my vintage 1940s suits and feeling very strongly that I was supposed to wear Chanel No. 5 with that suit. Chanel No. 5?! Was that a memory left behind by the original woman who owned the suit? Did she wear Chanel No. 5? I don’t particularly care for that fragrance, it’s a bit too sweet for me. But my husband thoughtfully bought me the perfume anyway. I haven’t tried saying, “Honey, the suit wants a diamond necklace to go with it.” Not yet, anyway. Unfortunately for my jewelry box, the suit only wanted the right perfume.

Nevertheless, the idea of a haunted garment—in my case a haunted shawl—started rumbling around in my brain, and I knew there could be a fascinating story there. There’s not a lot of information on the web about haunted clothes, and haunted clothing doesn’t seem to be a common occurrence, either in experience or literature. That question, however, led to one of the most delightful interviews I have ever had. I made an appointment and interviewed two gracious experts in the Costume Collections at the Smithsonian Museum of American History.

They had no tales of ghostly garments, although they had one item they called the “bad luck” bridal gown. (The bride died shortly after the wedding.) However, they offered me wonderful information about the collection, which has over 30,000 American garments which date from as early as the 1600s. I was able to view shoes, hats, dresses that the public will never get to see. I was so lucky and so grateful for their insights and I used some of that information for my ninth book, Veiled Revenge.

Deadly dyes and deadly dresses

Though not haunted, a deadly dress is something I explore in Lethal Black Dress, the tenth book in the series. I first heard about a dye known as “poison apple green” in a college class on the History of Costume (Liberal arts rock!) The toxic dye could be absorbed through the skin.

Years later, I worked my way through the literature on the phenomena and found that there were beautiful and brilliant blue and green colors that came from “Paris Green” dye. The dye was toxic, made from copper acetoarsenite, and was used in fabrics and paper, wallpaper and even candy wrappers. Unfortunately, when wet it released an arsenic gas, which could be absorbed through the pores. Some people believe that Napoleon died from arsenic poison emitted from his Paris Green wallpaper on the very humid island of St. Helena.

I consulted a doctor and asked whether such a dye really could kill someone. We tried out various scenarios while she pondered it and concluded, “Sure, why not?” That’s the beauty of fiction. Once you decide something is possible, you can wind yourself down a twisted trail of diabolical suspects and deadly plots, along with Paris Green dye.

And what about that velvet factory?

When I was a working journalist in Washington, D.C., a coworker told me the last velvet factory in Virginia (and the last dress-grade velvet factory in America) was going to close down, and that she knew the manager—I knew I had to see it for myself. I immediately called the manager and asked if I could tour the facility. I explained I was a reporter and a mystery writer, and he remarked, “Well, there are a lot of ways to kill people here.” Words that warm the cockles of a writer’s heart.

I took a day off work and traveled to the small economically depressed Virginia town.

Bolts and bolts of shimmering fabric contrasted dramatically with the dangerous steel equipment required to manufacture it. Velvet is woven with two backing sheets at once, so that a razor-sharp blade must slice through the weave to release the soft velvet in the middle, creating two pieces of fabric. The circular blades used to cut it were at least six feet high.

Making velvet was not automated. Workers had to carefully pull and attach the material on racks with sharp steel teeth to stretch it and dry it. The velvet was then wound onto the teeth of giant spools to be dyed in massive tanks. Each step carried its own hazards.

Not only did I get a glimpse of what it would be like to work in such a factory (and how someone might meet their fictional fate there), I saw what closing the factory, the economic impact, meant to that small town. The factory once had a hundred weavers, but that function had been sent to England and the weaving room was now silent. Other departments were likewise decimated. When I visited there were just a handful of workers left.

It was a lot for me and my character Lacey Smithsonian to consider. That research was crucial in writing Shot Through Velvet, the seventh book in my series.

Ellen’s tour of the velvet factory

I am currently working on and researching a prequel to my series, which is set during World War II in Washington, D.C. It features Lacey’s great-aunt, Mimi Smith, when she was a young woman working for the wartime Office of Price Administration. In researching it, I have spent time visiting various D.C area locations, including Chinquapin Village, a housing development for Torpedo Factory workers. It was located in Alexandria, VA, but dismantled sometime after the war.

Research has a way of bringing things to life that otherwise might just be a heading on an outline. One question can lead you to people who have amazing insights, or to locations that can open up a whole world. It can make a story bigger and more involved. I recommend it.

Ellen Byerrum is a novelist, a playwright, a former Washington, D.C. journalist, and a graduate of private investigation school in Virginia. Her Screwball Noir Crime of Fashion mysteries feature Lacey Smithsonian, a reluctant fashion reporter in Washington, D.C., “The City That Fashion Forgot.” Lacey solves crimes with fashion clues while stylishly decked out in vintage togs.

Her most recent Crime of Fashion mystery, and the 11th in the series, is The Masque of the Red Dress. What do Russian espionage, Washington DC, and the theatre have in common? Spies, lies and a dangerous red dress.

Two of the COF novels, Killer Hair and Hostile Makeover, were filmed for the Lifetime Movie Network.

The Woman in the Dollhouse is Byerrum’s first suspense thriller. She has also penned a middle-grade mystery, The Children Didn’t See Anything, the first of stories starring the precocious 12-year-old Bresette twins, Evangeline and Raphael.

Under her playwright pen name, Eliot Byerrum, she has published two plays with Samuel French, A Christmas Cactus and Gumshoe Rendezvous.

You can find Ellen Byerrum on her website at www.ellenbyerrum.com.

Facebook: https://www.facebook.com/EllenByerrumBooks/

Twitter: https://twitter.com/EllenByerrum

Ellen Byerrum’s Fashion Bites on YouTube: https://bit.ly/2OeYMPF

Buy The Masque of the Red Dress on Amazon: https://amzn.to/2LJUrCm